Sunday, August 23, 2020

CD Review :: essays research papers

Jay-Z Blueprint Here you have, everything you Jay-Z fans; an eagerly awaited survey of the hot new CD!! 1)The Ruler's Back 3:49 This tune is Jay-Z singing about...Jay-Z. In this tune he sounds very surrendered. He is 'the Ruler', and when he says "I'm back n***a", there are trumpets playing out of sight, jsut like you'd envision them being played for sovereignty. He discusses how rich he is, and how he couldn't care less on the off chance that he goes to court, he says"What's two or three dollars to me?" and the main thing he thinks about is that you regard him. I don't know, it's kinda intense regarding somebody with that large a personality. In any case, it's kinda cool, before all else the beat goes with his giggle, it helps me to remember how we should get the virbrato on woodwind, the entire "hahaha" thing. 2)Takeover 5:13 I like the beat to this tune. it's the sort you'd go cruising with, turn the bass waaayyyy up. so you can't hear the words. Int his tune he promotes his record name Roc-A-Fella, and how ground-breaking he is, and how he and his rappers are "runnin' this rap sh*t". He talk about what number of a bigger number of records he's sold than DMX, and disses him. At a certain point he utilizes a DMX cut where they're yelling "NOOOO!" And without fail, it never comes up short, I leap out of my seat, it seems as though somebody is sitting right close to you making a ruckus. 3)Izzo (H.O.V.A.) 4:00 This is one of my main tunes on the cd, truth be told, this tune is the explanation I purchased the compact disc. This melody has a lively beat, and discusses how he, inspite of everything that has transpired, he proves to be the best. Truly, I have no clue about what "H to the izzo, V to the izzy" should mean. The ensemble has a young lady singing that line, and Jay-Z saying "Forshizzo my nizzo, used to spill down in VA", at that point the young ladies sing "H to the izzo, V to the izzy" once more, and afterward Jay-Z says "That's the song of praise, get your da*n hands up". It's the sort of tune you can't resist the urge to bop your head to. It's likewise the ideal length, before its finish, you aren't worn out on the tune not at all like a portion of different melodies on this cd. 4) Girls, Girls, Girls 4:35

Saturday, August 22, 2020

French Expressions Using Bout

French Expressions Using Bout The French word un session truly implies the finish of something or a touch of something. However, session has different implications too and is likewise utilized in many informal articulations, thing provisos, and prepositional expressions. Figure out how to state at a careful distance, barely hanging on, the center of no place, and more with this rundown of articulations with session. Potential Meanings of un session bitendlength (of rope)patch (of sky, land)piecescraptip Articulations with session le session de lanmemorial serviceun session du doigtfingertipun session dessaiscreen test, test filmun session filtrefilter tip (cigarette)un session du mondethe center of no place; the parts of the bargains session de rã'lebit part, stroll on partun session du seinnippleun session de terraina fix/plot of landun bon session de cheminquite far, a reasonable distanceun bon session de tempsa great while, very some timeun (petit) session de chou/zan (informal)a little kidun petit session de femme (informal)a insignificant slip of a womanun petit session dhomme (informal)a negligible piece of a man session de brasat a safe distance session carrã ©square-tipped session de courseon its/ones last legs(tech) at full-stroke session de forcesexhausted, destroyed session de liã ¨gecork-tipped session de soufflebreathless, winded session rondround-tipped session portantpoint-clear session de soufflebreathless, exhausted; hanging on by a thread tout session de champall the time, at each opportu nityau session deat the end/base of; afterau session du compteall things consideredau session du filon the opposite finish of the telephoneau session dun momentafter a whilebout boutend to endde session en boutfrom one end to the otherdu session dewith the closures ofdu session des doigtswith ones fingertipsdu session des lã ¨vresreluctantly, half-heartedlydun session lautrefrom one end to the next, from start to finishdun session lautre de lannã ©eall year longen session deat the end/base ofen session de courseon its/ones last legs; ultimatelyjusquau bout(right) to the endjusquau session des onglesthrough and through, right to ones fingertipssur le session deon the tip ofsen aller standard tous les sessions (informal)to be falling apartapplaudir du session des doigtsto applaud half-heartedlyconnaã ®tre un session de (informal)to know some things aboutã ªtre boutto be depleted; to be irate, out of patienceã ªtre session deto be out ofã ªtre au session de ses peinesto be free a nd clear; to have no more troublesã ªtre au session du rouleau (informal)to be depleted; to be coming up short on cash; to be close deathfaire un session de chemin ensembleto be together for some time (as a couple)joindre les deux boutsto make closes meetlire un livre de session en boutto read a book spread to covermanger du session des dentsto nibblemettre les bouts(fam) to skedaddle, scarpermontrer le session de child nezto show ones face, peep around (the corner, door)parcourir une lament de session en boutto go from one finish of a road to the otherpointer le session de child nezto show ones face, peep around (the corner, door)porter quelque picked session de brasto battle to keep something goingpousser quelquun boutto stretch somebody as far as possible/too farprendre quelque picked standard le bon boutto handle/approach something the privilege waysavoir quelque picked sur le session du doigt/des doigtsto know something inside and outtenir le bon session (informal)to be in goo d shape; to be past the most noticeably awful of somethingvenir session de nounto traverse, succeed, defeat somethingvoir le session du tunnelto see the light toward the finish of the tunnelã‡a fait un (bon) session (de chemin). (informal)Thats a long way.Ce home pas le session du monde !It wont slaughter you! Its not the finish of the world!Commenà §ons standard un bout.Lets begin/make a start.Le soleil montre le session de child nez.The sun is (scarcely) out.On ne sait pas standard quel session le prendre.You just dont realize how to deal with/approach it.​ On nen voit pas le bout.There doesnt appear to be any conclusion to it.

Friday, August 21, 2020

Former Canadian Prime Minister Pierre Trudeau- Essay

Previous Canadian Prime Minister Pierre Trudeau-Essay It has been a long time since the passing of previous Canadian Prime Minister Pierre Trudeau. The death of this commemoration gives an event to consider his authority attributes and inheritance for our nation. In 1984, I was nine years of age when Trudeau surrendered and from my recollections, I do review his solid vision of an assembled Canada, sharp mind, and showy style. At the point when he died in Sept 2000, I was in Ottawa at that point and saw the out pouring of feeling and honors to his accomplishments. It was obvious from this occasion, regardless of whether you appreciate Trudeau or not, he was not just a decent head administrator, however an astounding leader who affected numerous Canadians in the course of his life. From this experience, I asked myself what recognizes an average head, from an incredible pioneer. In Trudeaus case, his quintessential authority aptitudes did not depend exclusively on acumen or specialized abilities, as opposed to, on his improved passionate insight which incorporate more noteworthy mindfulness, self guideline, inspiration, sympathy, and social aptitudes. For the investigation of Pierre Trudeaus initiative style, his enthusiastic insight will be investigated to delineate his excellent exhibition as Prime Minster. Initiative Analysis: In 1968, Pierre Trudeau was chosen as Prime Minister and represented the prospering any expectations of a country since quite a while ago consigned to the regularly covering shadow cast by its prevailing southern neighbor. He was youthful, clever, splendidly well-spoken and genuinely incredible, and delighted the young people of the nation with all the sex offer and colorfulness of a demigod, something at no other time found in Canadian politics. [i] (Appendix A) Mindfulness: One of Trudeaus most prominent administration characteristics is his self - mindfulness. Here, he has shown a high level of self-assurance and a solid comprehension of where he headed. One model is his Just watch me state that was put on the map during the October emergency in October 1970 (Appendix B). Trudeau, who had in earlier years been a solid defender of common freedoms, talked about the requirement for exceptional activity to reestablish request in Quebec. When addressed by a journalist on how far he would go in the suspension of common freedoms to look after request, Trudeau answered Well, simply watch me. After three days he conjured the War Measures Act, which prompted police activity against numerous Quebec dissenters and finished the crisis.â [ii]â 2.2 Self Regulation: Trudeau had a capacity to control his motivations and temperaments. For instance, during his political race in 1968, while going to the Saint-Jean-Baptiste Day march in Montreal, Quebec separatists were revolting and tossing rocks and containers at where Trudeau was situated. Rather than hiding, he stayed in his seat and confronted the agitators, demonstrating no sentiment of dread. The picture of a legislator outlining such mental fortitude intrigued the Canadian individuals, and he conveniently won the political race the following day.â [iii]â 2.3 Motivation: Trudeau strived to change our country to one that was glad for its bilingual legacy. In his first acknowledgment discourse as Prime Minister, Trudeau, with incredible inclination, communicated the accompanying desire for his nation: Canada must be bound together; Canada must be one; Canada must be dynamic; and Canada must be an equitable society. 2.4 Social Skills: In the 1968 initiative race for the Liberal Party, an epithet of Trudeaumania was begat to portray the energy that encompassed Pierre Trudeaus appointment. This epithet persevered all through the government political race and furthermore, for the span of Trudeaus early years as Prime Minister. Right now, a lot of youthful grown-ups were inclined to the 1970s counterculture and related to Trudeau, a vigorous free thinker who was generally youthful. They were stunned by his appeal and great looks, and a huge fan base was set up all through the nation. He would frequently be halted in the boulevards for his signature or for a speedy photograph.â [iv]â Sympathy End Since the post Trudeau time, has there been a political character that has united our country and enlivened us tackle the numerous issues of the 21st century and build up a particular Canadian way to deal with beating them? From my own understanding and perceptions, there has not been a pioneer since Trudeaus retirement that has displayed strong initiative style. Maybe surveyor Michael Adams said all that needed to be said of Trudeau: He spoke to the good grade of Canadian vision, the last genuine intelligent articulator of a Canadian vision of the nation. Love him or abhor him, we are all Trudeaus children.â [v]â Indeces The accompanying archives have been utilized in the planning of this report and are helpful references to give extra data about the remarks in the task. Index A: Profile of Pierre Trudeau Joseph Philippe Pierre Yves Elliott Trudeau,[1] (October 18, 1919 September 28, 2000), typically known as Pierre Trudeau or Pierre Elliott Trudeau, was the fifteenth Prime Minister of Canada from 20 April 1968 to 4 June 1979, and again from 3 March 1980 to 30 June 1984. Trudeau started his political profession crusading for communist beliefs, yet he in the long run joined the Liberal Party when he entered government legislative issues during the 1960s. He was designated as Lester Pearsons parliamentary secretary, and later turned into his Minister of Justice. From his base in Montreal, Trudeau assumed responsibility for the Liberal Party and turned into an appealling pioneer, moving Trudeaumania. From the late 1960s until the mid-1980s, he overwhelmed the Canadian political scene and stimulated energetic responses. Reason before enthusiasm was his own motto.[2] He resigned from governmental issues in 1984, and John Turner succeeded him as head administrator. Admirers acclaim the power of Trudeaus intellect[3] and they salute his political sharpness in protecting national solidarity against Quebec separatists, smothering a brutal revolt, and setting up the Charter of Rights and Freedoms inside Canadas constitution.[4] His depreciators blame him for pomposity, monetary blunder, and unduly preferring the authority of the central government comparable to the territories, particularly in attempting to control the oil abundance of the Prairies.[5] Trudeau stays very much respected by numerous Canadians.[43] However, the progression of time has just marginally mollified the solid hostility he roused among his opponents.[44][45] Trudeaus magnetism and certainty as Prime Minister, and his supporting of the Canadian personality are regularly refered to as purposes behind his ubiquity. His solid character, disdain for his rivals and aversion for bargain on numerous issues have made him, as antiquarian Michael Bliss puts it, one of the most appreciated and generally despised of all Canadian prime ministers.[46] He frequents us still, biographers Christina McCall and Stephen Clarkson wrote in 1990.[47] Trudeaus discretionary triumphs were coordinated in the twentieth century just by those of Mackenzie King. Taking all things together, Trudeau is without a doubt one of the most prevailing and transformative figures in Canadian political history.[48][49] Trudeaus most suffering inheritance may lie in his commitment to Canadian patriotism, and of pride in Canada in and for itself as opposed to as a subordinate of the British Commonwealth. His job in this exertion, and his related fights with Quebec for the benefit of Canadian solidarity, solidified his political position when in office regardless of the discussions he confronted and remain the most recalled part of his residency thereafter. Some consider Trudeaus monetary strategies to have been a powerless point. Expansion and joblessness damaged a lot of his prime ministership. When Trudeau got to work in 1968, Canada had an obligation of $18 billion (24% of GDP); when he left office in 1984, that obligation remained at $200 billion (46% of GDP), an expansion of 83% in genuine terms.[50] Though his prevalence had fallen in English Canada at the hour of his retirement in 1984, general sentiment later turned out to be increasingly thoughtful to him, especially in contrast with his rep lacement, Brian Mulroney. Pierre Trudeau is today observed in high respect on the Canadian political scene. Numerous government officials despite everything utilize the term going for a stroll in the day off, discard line Trudeau used to portray his choice to leave office in 1984. Other famous Trudeauisms as often as possible utilized are simply watch me, the Trudeau Salute, and Fuddle Duddle. Source: From Wikipedia, the free reference book http://en.wikipedia.org/wiki/Pierre_trudeau, got to on November eleventh, 2010 Supplement B: Overview of the October Crisis of 1970 The October Crisis was a progression of occasions activated by two kidnappings of government authorities by individuals from the Front de libã ©ration du Quã ©bec (FLQ) during October 1970 in the region of Quebec, principally in the Montreal metropolitan region. These conditions at last finished in the main peacetime utilization of the War Measures Act in Canadas history, done by Governor General of Canada Roland Michener at the bearing of Prime Minister Pierre Trudeau, having been mentioned by the Premier of Quebec, Robert Bourassa, and the Mayor of Montreal, Jean Drapeau. The conjuring of the demonstration brought about broad arrangement of Canadian Forces troops all through Quebec, and in Ottawa gave the appearance that military law had been forced, in spite of the fact that the military stayed in a help job to the common specialists of Quebec. The police were likewise empowered with extensive forces, and they captured and kept, without bail, 497 people, everything except 62 of whom were later discharged without charges. At that point, assessments of public sentiment all through Canada, remembering for Quebec, indicated across the board support for the utilization of the War Measures Act.[1] The reaction, in any case, was reprimanded at that point and in this way by various conspicuous pioneers, including Renã © Lã ©vesque, Robert Stanfield,[2] and Tommy Douglas,[3] who accepted the activities to be exorbitant and the point of reference to suspend common freedoms perilous. The analysis was strengthened by proof that police authorities

Global Environmental Change Assignment Example | Topics and Well Written Essays - 3000 words

Worldwide Environmental Change - Assignment Example (Tollefson, 2009, p. 29) The cold holds a significant spot in the begging to be proven wrong issue of keeping up life on earth in a manageable manner. In any case, this conversation fixates on the Arctic district itself and all the more unequivocally on draining populace of the cold Polar Bears as opposed to the chain impact of the defenseless artic on the remainder of the world. The most recent hundred years have seen an expansion in worldwide temperature by 0.6 degree centigrade. (Jenssen, 2006, p. 78) Moreover from 1976 the rate is significantly higher and unmatchable by whenever enveloping recent years. The impact of such ascent in temperature is generally noticeable through the degree of ice dissolving in the high and mid height territory. In under fifty years the snow has diminished by 10%. (Jenssen, 2006, p. 78) For the endurance of an animal types, the endurance of its living space and food source is of most extreme significance. With the ascent in worldwide temperature the degree of ice will decrease in the Arctic thus will its length of solidified state, bringing about less zone for the seals to remain and raise. Seals are the most significant food wellspring of the polar bear; so any impact on their populace will legitimately diminish the food crate of the polar bears. It has additionally been seen that for enormous well evolved creatures any chang e in worldwide temperature influences the adolescent endurance rate. Starting here of view both the seal and the bear are similarly presented to hazard. Thusly the bear experiences different sides - diminished present and future food source and decreased adolescent endurance rate. Again the polar bear chases on ground (strong ice). Any decrease of ice degree will leave the hold on for littler ground to get seals. (Jenssen, 2006, p. 78) Before worldwide climatic change the ice plate has likewise experienced changes as far as thickness and has become broken in numerous spots. Besides the sea currently freezes in later piece of the year and all these in an aggregate manner are draining the natural surroundings of polar bear. (O’Neill et al, 2008, p. 1650).

Sunday, July 5, 2020

SAP Implementation NIBCO INC (Essay) - 275 Words

SAP Implementation (Essay Sample) Content: SAP Implementation: "NIBCO's" Big BangNameCourseInstructorDateOverviewNIBCO INC is a plumbing supplier company and the management sought to change its old information system, but many consultants were against adoption of the big bang approach. The company management had to implement a new SPA R/3 in ten plants of the company (Brown et al., 2012). Similarly, the company had to revamp its supply chain to align the company with customer needs. Arising out of the need for a better supply chain process the need to implement a new information system appear. From 1995, the company sought to see the best way through which to achieve the objective of implementing a better information system. However, there were concerns that the company had an inadequate information system, and a consulting company stated that it was better to integrate the system change over 3 to 5 years but the company finally chose to implement an Enterprise Resource Planning (ERP) system through the big b ang approach (Brown et al., 2012).Reasons for implementation of ERP systemThere was a need to harmonize information across the departments using the new ERP systems. Before adoption of the system there was little coordination, and various access points of data and information made it difficult to verify data. Furthermore, the company was expanding and hiring new employees and this required a better information system that would not stall when numerous changes were made. The ERP system was important to keep track of the on goings in the company and the management would have control over operations following the expansion. Thus, the use of ERP system would also enable the management to tackle issues better because information was more coordinated and this would in turn improve operation efficiency.Pros and cons of the ERP system in NIBCOThere are various advantages of implementing an Enterprise Resource ERP system. NIBCO was able to manage cross functional operations better than the o ld system could handle. There is an increased user interaction especially during implementation and this eases upgrading to newer versions of the system (Phillips, 2013). Furthermore there was an integration of the whole system allowing easier communication and this improved efficiency. The system also became successful as the project intuition and implementation involved the company's personnel, consultants and application providers. Since it was able to keep track of activities, the ERP system enables the management to remove redundancies and improve efficiency (Kerzner, 2013). Nonetheless, the ERP system implementation cannot be replicated to other organizations and another company would have to make numerous changes in using the system.Analysis and recommendationImplementation of the projects utilizes an instant change over approach and this required the cooperation of employees, consultants and the management. According to Donagher, (2013) the approach is riskier as one mist ake may derail the whole system , but ...

Wednesday, July 1, 2020

Warming the World with the Stroke of a Pen How Donnes Powerful Poetry Can Alleviate Mankinds Existential Woes - Literature Essay Samples

In many of the metaphysical poems in John Donnes literary canon, the poet assumes a voice that, as John Carey describes communicates itself through the dictatorial attitudes [he] adopts, through the unrelenting argumentativeness of his manner, and through the manipulation and violent combination of the objects of a sensed world in his imagery. Carey characterizes this tone as evidencing Donnes fascination with power as a central medium for thought-based expression. In The Sun Rising and Death Be Not Proud (Holy Sonnet X) from Donnes Songs and Sonnets and Holy Sonnets, respectively, the poet attempts to discredit commonly held beliefs regarding existential, philosophical, astrological, and religious principles and values to which most individuals throughout the history of human civilization have subscribed. Specifically, Donne resists the notions that the sun is the single most powerful entity and central to our cosmological framework, and that death is mighty and dreadful (Holy Sonn et X) and therefore of grave import in understanding the purpose of life. He does this by personifying the sun and death, subjugating each to human status and, therefore, undermining the readers belief in the inherent power of each entity.Nevertheless, it is not merely Donnes utilization of seemingly outlandish, exaggerated, and highly contested claims that affords his poetical works with its intrinsic notoriety. Rather, as Clements argues in his critical analysis, Donnes unique ability to successfully employ assertive and manipulative argument, and invert commonly held conceptions, renders his seemingly ludicrous claims not only figuratively, but literally true, to quote Sir Thomas Brown (239). Donnes technique is one of the most tangible elements that has guided many critics to conclude that Donnes tone manifests an obsession with power. Moreover, quoting Brian Vickers, Clements points out that [Donnes] hyperbole asserts the incredible in order to arrive at the credible' (239). It is this very rhetoric of hyperbole (239), that, in concert with Donnes thought-based aggressive persuasiveness, qualifies the feeling and true essence of his poetry. It adds levels of emotional complexity to otherwise straight-forward rationalizations of the poets somewhat simplistic-though occasionally contentious-lyrical verse. In The Sun Rising, Donne utilizes assertive argument, hyperbolic imagery, and a persuasive tone to elevate the status of his lover to that of the divine. Simultaneously, he endeavors to downplay and/or question any claim of substantial import to which the sun is characteristically credited. In the first stanza, Donne resorts to name-calling, criticizing the sun as busy, old, fool[ish], unruly, saucy, and pedantic. Thus, he attempts to characterize the rising sun, which calls on him and his lover in bed, through windows, and through curtains, as petty and irritating. He argues that true love (such as that which he shares with his lover) contrasts the pseud o-love of seasonal lovers and of the sun itself, which rises and sets in accordance with certain systematic restraints all alike, no season knows, nor clime, / Nor hours, days, months, which are the rags of time (The Sun Rising). Thus, while most entities under (and including) the sun are subject to physical, geographical, spatial, temporal, quantitative, and/or practical limitations, he claims that true love is extra-worldly in these regards. It is incomprehensible, immeasurable, limitless, and boundless-even in relation to the enormity and strength of the sun, which no longer appears so impressive when juxtaposed against loves power. In the second stanza, Donne questions the power of the suns rays, arguing that I could eclipse and cloud them with a wink / But that I would not lose her sight so long; (The Sun Rising). Thus, he could easily escape from the suns rays by closing his eyes, but so simply in order to see his lover in every waking moment, he chooses not to. Moreove r, Donne asks the sun to: Look, and tomorrow late, tell me Whether both the Indias of spice and mine Be where thou leftst them, or lie here with me. Ask for those kinds whom thou sawst yesterday, And thou shalt hear, all here in one bed lay (The Sun Rising).If his lovers eyes have not blinded the sun by tomorrow, an inversion of the natural threat of suns damaging properties, Donne asks the sun to look to the East Indies, the source of spices, and the West Indies, the source of precious metals. He also asks it to see the kings that he shone on yesterday. Donne claims that all of these can be found in no place other than in bed with his lover: In the third stanza, he writes that Shes all states, and all princes I, / Nothing else is (The Sun Rising). Clements lends some insight into the significance and power of these bold statements as he explains that Donnes love is infinitely delightfulinfinitely highinfinitely great in all extremes (239) and has the effect on the poet to a rrive at a provincial mindset, which effectively works to despatialize the world, reduce the macrocosm to the microcosm, the redeemed latter being in any event of greater value and significance then the fallen macrocosm (239). These claims are further exemplified by Donnes assertion in the final stanza that Thou, sun, art half as happy as we (The Sun Rising), thus setting up a simple proportional relationship between himself and his lover and the personified sun. The comparison quantifies the inconceivable amount of love and contentment the couple possesses as being twice that of the suns. Having said all of this, Donnes final statement is even more provocative. He states that To warm the world, thats done in warming us. / Shine here to us, and thou art everywhere; / This bed thy center is, these walls thy sphere (The Sun Rising). Thus, Donne assertively and logically (though somewhat crudely) argues that the sun is no longer the most sublime feature within the cosmos, but rather as sumes a secondary role to the bedroom in which Donne and his lover consummate their feelings for one another. His bedroom, not the sun, is the most illustrious and important place in the natural or civilized world. This poem, which is constructed in three ten line stanzas, maintains the strict rhyme scheme A-B-B-A-C-D-C-D-E-E of two rhyming quatrains as inverted rhyming patterns followed by a section-ending rhyming couplet throughout the first two stanzas. In the third stanza, this same rhyme scheme is repeated, but is much more loosely observed, allowing for less discreet rhymes (i.e. I to alchemy, is to this, everywhere to sphere, etc.) to persist. Perhaps, through this unfettering of the lyrical rhyming schematic constraints in concert with his concluding argument, Donne is both literally and symbolically deconstructing the readers preconceived assumptions regarding the suns hegemony in relation to all else. It is these very linguistic, syntactical, grammatical, rhythmic, and i mage-based considerations that I hope to have highlighted, which grant The Sun Rising a definite claim to inclusion within the realm of Donnes archetypically power-obsessed metaphysical canon. Likewise, in Death Be Not Proud (Holy Sonnet X), Donnes most famous and deeply scrutinized piece, the poet assumes a controversial ideology at odds with mainstream doctrine. In the brief span of a standard sixteen line Sonnet with a regular A-B-B-A-C-D-C-D-E-E Petrarcan rhyme scheme and iambic pentameter metric construction, Donne powerfully asserts his belief that death is relatively unimportant in the grand scheme of the souls existence through carefully constructed argument, hyperbolic imagery, and a persuasive tone characteristic of his noted power-infused metaphysical lyrical verse. Holy Sonnet X begins with the poet playfully and wittingly poking fun at the central object of scrutiny. The poem opens with Death be not proud, though some have called thee / Mighty and dreadful, for thou art not so, telling personified death that it should not display hubris in its ability to instill awe and terror. Donnes argument logically moves to reasons for deaths relative insignificance, as he contends that For those whom thou thinkst thou dost overthrow / Die not, poor death, nor yet canst thou kill me (Holy Sonnet X), suggesting that ones soul cannot be terminated simply by the act of dying, but conversely, after ones body perishes, the soul assumes a different, and in many cases, elevated status. The poet then states:From rest and sleep, which but thy pictures be,More pleasure; then from thee much more must flow,And soonest our best men with thee do go,Rest of their bones, and souls delivery (Holy Sonnet X)Here, Donne compares rest and sleep to small-scale imitations of death, which generally provide individuals with substantial comfort and solace. Thus, he implies, death must provide similar consolation. Moreover, in an attempt to justify why the good die young, a microcosm of the existential quandary of why bad things happen to good people, Donne plainly explains that the divine affords the good with eternal relief from pain and enables them to reach salvation with the gift of premature death. Donne refers to the spiritual salvation one achieves in death as the souls delivery. A wryly intended wordplay, the phrase evokes images of childbirth, symbolizing the souls rebirth in harmony with its earthly demise. Donne then proceeds to characterizes the tragic plight of deaths persona, that Thou art slave to fate, chance, kings, and desperate men, / And dost with poison, war, and sickness dwell; (Holy Sonnet X), being subject to the whims of individuals, and constantly in the presence of the ailing, aged, diseased, and suffering, a plight for which Donne articulates his genuine sympathy. The poet thereafter rhetorically asks, poppy or charms can make us sleep as well [as death], / And better than thy stroke; why swellst thou then? (Holy Sonnet X) Donne suggests that because drugs and magic charms can make individuals sleep as well, or better than death, why should death puff up with pride? Finally, in a concluding couplet that parallels the punch line of The Sun Rising, in which Donne advises the rising sun to Shine here to us, and thou art everywhere; / This bed thy center is, these walls thy sphere, the poet threatens deaths personified form by claiming that One short sleep past, we wake eternally, / And death shall be no more; death, thou shalt die (Holy Sonnet X). Donne convincingly argues that it is death that should feel threatened by its own stroke. After all, once an individuals body falls subject to death, his soul will wake eternally. The only element that will cease to exist is death, which itself, ironically, dies. With the careful format, articulation, and logic of both of these concluding statements, Donne drives home his propagandistic dogma and narrowly framed values. Donne attempts to turn commonly held beliefs o n their head through his assumption of a simultaneously authoritative, potent, and witty tone. It is this powerful, ego-driven lyrical voice that disregards the countering perspective to which Carey alludes when he, describing Donnes poems, states: they resemble monodramas, in which the figure of Donne, cajoling, demanding, enunciating, occupies so much of the foreground that we only catch a glimpseat some anonymous figure at whom the flow of language is being directed. This aggressive modus operandi within a narrowly structured lyrical framework acknowledges Donnes personal beliefs, and manifests itself through a close analysis of the poets manipulation of words. This stylistic component has been the central focus of much critical analysis by writers who characterize his tone as principally shaped by his rhetoric of power. This practice of verbal wit for the advancement of some moral principle or narrowly conceived belief of the poet leaves Donnes poems, as Redpast explains in his critique, liable to give the impression of being merely brain-spun (217). Put differently, Donnes thoughts can seem too wild to preclude feeling. Nevertheless, Redpast argues that this is, in fact, very seldom the case, since they also come from a passionate heart (217). Redpast, thus, denies the principle that Donnes verbal expression of complex thought, which I have heretofore characterized as the essence of power as a shaping principle for the poets verse, precludes feeling, for a position more in line with that of T.S. Eliot, who explains that Donnes poems achieve a recreation of thought into feeling (161). Thus, while it might appear at first that the intrinsic feelings of Donnes poems are sacrificed by the power of thought, or by the aggressively persuasive force they possess, they are not. Rather, their feeling is qualified, by carefully conceived linguistic expression through witty poetic commentary, by the poets genuine and passionate articulation.

Tuesday, May 19, 2020

Oedipus The King A Classical Tragedy - 1272 Words

Sophocles’ Oedipus the King is a classical tragedy that derives its meaning through the experiences of its tragic hero, Oedipus. Throughout the play, the eminent characteristic of Oedipus is his ignorance of the truth that inevitably leads to his downfall. This ignorance of truth is a characteristic found within the Aristotelian definition of a tragedy. Tragedy, as defined by Aristotle in his Poetics, are imitations of actions and are not narrative. This means that tragedies are often demonstrated through the actions of characters in response to the events that are occurring within the narrative. Aristotle’s definition of a classical tragedy is demonstrated and expanded further throughout Oedipus the King through Oedipus’ characteristics, the motives for his actions, and the appeal he provides for the reader. Through an understanding of the Aristotelian definition of tragedy, the motives of Oedipus’ actions and the appeal of his story are clarified. In th e play, Oedipus the King, King Oedipus of Thebes is the tragic hero whose discovery of the truth dismantles his prestige. This is demonstrated through Oedipus’ realization that he was the child of the prophecy who murdered his father, Laius, and married his mother, Jocasta, to rise to his position as king of the Thebes. As a result of this discovery, Oedipus turns from a commanding individual to an ineffectual one; this is seen through his self-mutilation and desire to be disciplined for his actions. To further supportShow MoreRelatedThe Classical Tragedy Of Sophocles Oedipus The King950 Words   |  4 Pagesâ€Å"Greece’s Golden Age introduced many excellent playwrights, all of whom contributed to the success of Greek Literature† (sites.google/ Playwrights of the Golden Age). Sophocles, the author of the classic tragedy, Oedipus the King, was one of the three best play writers during that time frame. Born in 495 B.C., Sophocles â€Å"lived for nearly ninety years through the most of the turbulent events of his country during the fifteenth century B.C.† (Charters and Charters). He was born in Colonus, not farRead MoreTo What Extent are ‘Othello’ and Oedipus Rex Perfect Examples of Tragedy1149 Words   |  5 Pages‘perfect’ tragedy is the idea that the tragedy is faultless; it does what is expected; so makes the audience feel empathy and sympathy for the characters who suffer. There are two different types of tragedy: classical tragedy and Shakespearean tragedy. The tragic hero in this play is the main character, Othello. Othellos misfortune comes about because of his jealousy, trust, and his pride. This essay aims to look at, and compare, how Shakespeare wrote his tragedy, and how other tragedies are writtenRead MoreEssay about Oedipus Rex and Fight Club965 Words   |  4 PagesOedipus Rex, a play written by Sophocles, and Fight Club, a movie directed by David Fincher, are two stories that relate to one another by sharing similar ideas and life lessons. One could argue that both contain essential qualities and characteristics of classical tragedy, but are they both ultimately tragic in the classical sense of the word? I believe that both Oedipus Rex and Fight Club do, in fact, exhibit the important qualities of classical tragedy but ultimately, I think that only one ofRead MoreEssay on Oedipus: The Reign of a Tragic Hero1266 Words   |  6 Pageswith? The history behind the character of Oedipus, in the play Oedipus the King, is very complicated. His intricate past dealing with prophecies, family members, and murder is the main focus of the story. There are many characteristics that complete Aristotle’s definition of a tragic hero; these being the presence of hamartia and peripeteia, a sense of self-awareness, the audience’s pity for the character, and the hero is of noble birth. Greek Tragedy Theater rose to its peak in Athens aroundRead MoreOpedipus, a tragic hero Essay example1708 Words   |  7 PagesOutline Thesis Statement: Oedipus is the embodiment of Aristotle’s characterization of a tragic hero through his ability to preserve his virtue and wisdom, despite his flaws and predicament. Introduction I. Sophocles’ Oedipus: A Tragic Hero A. Definition of a tragic hero B. Oedipus Character as it relates II. Tragedy A. Language of Tragedy B. Tragedy as it affects the audience III. Plot A. Aristotle’s idea of a tragic plot B. Significance of the plot IV. Virtue and Morality Read More tragoed Metamorphosis of the Tragedy in Oedipus Rex, Hamlet, and Desire Under the Elms736 Words   |  3 PagesMetamorphosis of the Tragedy in Oedipus Rex, Hamlet, and Desire Under the Elms Tragedy is considered by many to be the greatest of the genres. Often something goes wrong and exposes something great. Characters generally have more depth as evidenced by Hamlet. Tragedy shows up in the great periods of history: Classical Greece, Renaissance, and the early 20th century. It is a far more complex genre than comedy or romance. It teaches people to think since the storylines never have a simpleRead MoreOedipus : The King Of Thebes And Tragic Hero Essay728 Words   |  3 PagesOedipus: The King of Thebes and Tragic Hero Ancient Greek Literature encompasses an assortment of poetry and drama to include the great masterpieces of tragedy. In Classic Literature, tragedies were commonly known for their elaboration of a protagonist fitting the classification of a tragic hero. This type of a tragic hero often collectively described as a character of noble birth, facing an adversity of some nature and a fate of great suffering. The characteristics of what encompassed a tragic heroRead MoreOld Tragedy Versus New Tragedy1386 Words   |  6 PagesOld Tragedy versus New Tragedy Tragedy is a concept in literature that is defined as a series of bad events that have a negative effect on the characters until a major disaster occurs. Aristotle believes â€Å"the objective of tragedy is in bringing the audience (or the reader) to a certain state, alternately designated as either katharsis or pleasure† (academia.edu, n.d.). One or more characters can be involved in a tragic story. There are usually five stages that go into fully developingRead MoreQuest For Literary Form : The Greeks Believed That The Tragedy1742 Words   |  7 PagesGreeks believed that the tragedy was the greatest form of drama, and Aristotle’s concept of tragedy followed this belief. In the modern times, there has been a change in this view with various authors abandoning the classical form to follow more liberal forms of literacy. (Kennedy Gioia, Pp. 1203) Aristotle s Concept of Tragedy The analysis of Aristotle on tragedy formed the guideline for later poets in the Western civilization. Aristotle defined tragedy as â€Å"the simulation ofRead MoreEssay on King Oedipus as The Classical Greek Tragic Hero1360 Words   |  6 PagesKing Oedipus as The Classical Greek Tragic Hero In his Poetics, Aristotle defined the term tragedy as a man not preeminently virtuous and just, whose misfortune, however, is brought upon him not by vice or depravity, but by some error in judgement the change in the heros fortune must not be from misery to happiness, but on the contrary, from happiness to misery. From this definition, he further expanded it by defining the profile of the Classical Greek tragic hero, basing it on what he